外部空间

TAG：外部空间"TscherkasskyhasmadetwofilmscannibalizingSidneyJ.Furie

Guy Maddin writes, Tscherkassky has created two films that deconstruct Sidney J. Furies 1982 horror film about a woman named Barbara Hershey who is subjected to continuous assaults and sexual violence, either by supernatural beings or deeply suppressed traumas. The visuals burst forth in a chaotic frenzy, as Hersheys face fragments and fractures, disrupting the original cinematography by Steve Burum, causing a wave of fearful eyes and trembling imagery.Eerie and unsettling, Tscherkasskys films delve into the depths of psychological torment, blurring the lines between reality and the horrors of the mind. Using snippets of the original footage, he creates a disorienting experience for the viewers, immersing them in the protagonists harrowing journey. The fragmented visuals serve as a metaphor for the fractured psyche of the main character, reflecting her internal struggles and the haunting memories that torment her.Tscherkasskys meticulous craftsmanship is evident in every frame, as he weaves together haunting visuals and unsettling sound design to craft a truly unique and immersive viewing experience. The relentless assault on the senses mirrors the relentless nature of the protagonists ordeal, creating a palpable sense of unease and tension."The Entity Reconstructed" and "The Entitys Love" are not mere retellings of Furies film, but rather a bold exploration of the dark recesses of the human psyche. Tscherkasskys avant-garde approach challenges conventional narrative structures and offers a thought-provoking commentary on trauma, memory, and the blurred boundaries between reality and the supernatural.In conclusion, Tscherkasskys films, inspired by the original horror classic, deliver a visually stunning and psychologically complex journey that will leave audiences both haunted and mesmerized. With an unparalleled artistic vision, Tscherkassky brings new life to a familiar story, pushing the boundaries of cinematic storytelling in the process.